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Completed films

WHEN PIGS COME

Written and directed by

Biljana Tutorov

Produced by

Wake Up Films (Serbia),

Kinematograf (Croatia),

HRT- Croatian Television (Croatia),

Al Jazeera Balkans (BiH)

Running time

72' 

Status

Completed

Dragoslava has four TV sets, three grandchildren, two best friends, and a husband with whom she fights over a remote control. She keeps her private archive of memories of all major events in recent political histroy of five countries in which she has lived, without ever moving from her apartment. She is trained poll monitor, passionate about her right to participate in political life, but more and more desperate as another early elections approach.

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MATER

Written and directed by

Jure Pavlović

Produced by

Sekvenca (Croatia)

Co-producers

Wake Up Films (Serbia)

Les Films de L’oeil Sauvage (France)

Peglanje Snova (Croatia)

Novi Film (BiH)

Running time

93'

Status

Completed

In this uncompromising psychological drama, Jasna returns to her hometown to take care of her sick mother. However, Jasna's patience and kindness were not reciprocated, and she is forced to face the complex and disturbed dynamics of her relationship with her mother.

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TUSTA

Written and directed by

Andrej Korovljev

Produced by

Factum (Croatia)

Wake Up Films (Serbia)

Running time

80'

Status

Completed

A music biopic about the singer of KUD Idijoti, legendary punk rock band from Pula - Branko Črnac Tusta. His strong anti-fascist attitude and his background of a true "working class hero" from the Balkans are the guiding principles of film which deals with the connection between music, punk rock and politics.

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In development

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AUNTS

Written and directed by

Šejla Kamerić (Bih, GER)

Mirjana Karanović (SRB)

Kim Longinotto (UK)

Andrea Štaka (CH)
and TBC

Produced by

Wake Up Films (Serbia)

Running time

120'

Status

Pre-production

Gathered together in a challenging exploration of intergenerational exchanges between women, up to ten acclaimed authoresses from around the world question the broader issue of feminine existence through personal stories. The AUNTS project is an investigation into contemporary womanhood and the forms it takes, with a strong focus on conveying of a certain sort of the emotional knowledge form one generation to another.

With the support of:

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THE LAST NOMADS

Written and directed by

Petar Glomazić and Biljana Tutorov

Produced by

Wake Up FIlms (Serbia)

Cut-Up (Montenegro)

Co-Production

Les Films de l’Oeil sauvage (France)

Kinematograf (Croatia)

Cvinger film (Slovenia)

Running time

90'

Status

In development

Gara and her adopted 12-year-old daughter, Nada, live off herding and cheesemaking in their mountain cabin in rural Montenegro. Their routine is interrupted by a newly set
up military proving ground, threatening the environment, people and tradition. Gara stands up to defend the land of her ancestors by challenging the ruling government
and the patriarchal tradition, hoping for the unity of locals, anthropologists and activists, as the case reaches both the EU Parliament and UNESCO.

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In post-production

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PAPER BOATS FLOATING INTO

THE FRAGRANT NIGHT

Written and directed by

Biljana Tutorov

Produced by 

Wake Up Films (Serbia)

Running time

72'

Stauts

Post-production

Darko Rundek, one of the greatest contemporary poets and musicians of ex-Yugoslavia is searching for an ultimate song to express his quest of freedom. From his home in Paris, across Europe and Balkans, to the intimacy of a remote Adriatic island where he now returns to live, we embark on a spiritual journey through music and songwriting.

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THE LOST DREAM TEAM

Written and directed by

Jure Pavlović

Produced by

Sekvenca (Croatia)

Wake Up Films (Serbia)

Staragara (Slovenia)

Running time

75/52'

Status

Post-production

The story about Yugoslav national basketball team who won the gold medal, stood at the podium and watched the raising of the flag - all of the glory of a country that ceased to exist three days before. It is a psychological study of the players, the trials of their comradeship and the aftermath it had on their lives and careers.

With the support of:

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